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Cultural Appropriation: A Conversation That Can Make Both Our Fashion and Communities Better

  • July 24, 2018

Cultural appropriation. It’s arguably the most exhausted word in recent years when it comes to conversations of cultural currency: from music to fashion. It’s easy to say that naysayers have used the debate to point fingers at anyone whose imagery, symbols and/or language are associated with a particular ethnic culture or subculture— what about good old cultural appreciation?

This piece is an excerpt from an article written for Ethical Style Journal, available for pre-order here. 

 

Cultural appropriation. It’s arguably the most exhausted word in recent years when it comes to conversations of cultural currency: from music to fashion. It’s easy to say that naysayers have used the debate to point fingers at anyone whose imagery, symbols and/or language are associated with a particular ethnic culture or subculture— what about good old cultural exchange and cultural appreciation?

 

But it’s important to remember what cultural appropriation is. With cultural appropriation comes a disconnect between the original culture and the manner in which it is used, represented and interpreted by

those outside of the initial community— and it’s a conversation that requires an understanding of power in our social spheres. Cultural appropriation the continuation of misrepresentation, misuse, and theft of the stories, styles, and material heritage of people who have been historically dominated and remain socially marginalized.

 

Most of the world has been traumatized in some form or another by European & American imperialism. The central question shouldn’t be whether someone can wear or say or do a certain thing, but whether that choice disenfranchises other populations who do and live those things as part of their lifestyle, and are penalized by a (white) majority for doing so.

COMMERCIAL APPROPRIATION: CO-OPTING REPRESENTATION AS TOKENIZATION

In an increasing politically and racialized polarized world, it feels like communities of color (and their cultures, specifically) are the next hottest things. In their February 2018 issue, Nylon celebrated Black History Month by touting that everyone they hired for the February cover story was a woman of color.

 

Should this be something to celebrate?

 

Not exactly.

 

Big businesses are notorious for taking shortcuts to co-opt the language of representation and empowerment in the name of profit. That’s not to say that the promotion of women of color in the creative industry should be undermined, but will the active hiring of women of color continue after this issue? Will they be paid at the same price as their white and male counterparts?

 

When your marketing and PR campaigns are rooted in promoting how diverse you are, it isn’t inclusion and diversity. It’s tokenization.

 

True inclusion is authentic and organic. If you focus on diversity, you will question who is in the room. If you focus on equity, you will question who is trying to get into the room, but can’t, and what factors are at play to systemically undermine their voices.

 

And our ideas of minorities, especially women of color, should transcend palatable narratives. Everyone loves the indigenous woman who talks about peace, love, nature, and spirituality. Not everyone loves the indigenous woman who talks about genocide, racism, colonialism, and justice.

 

Want to read more?

Read this article in its entirety by ordering

Ethical Style Journal, available here for pre-order. 

Wearing Khara Kapas

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  • July 24, 2018

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